Petur Iliev is a Bulgarian-born dancer and choreographer whose career is deeply steeped in the rich folk dance traditions of his family. He started dancing at the age of five at the dance ensemble of his father. Later he graduated from the Bulgarian National School of Dance Art and from the Bulgarian National Institute of Choreography in Sofia, Bulgaria. He began his professional career as a Principal Dancer of Kutev National Dance and Music Ensemble where he worked for five years, before continuing his training at the National Dance Institute in New York where he studied under the supervision of one of the gurus of American dance – Jacques d’Amboise. Subsequently, Iliev became the Artistic Co-Director of Believe in Me — a dance ensemble in Austin, TX, where for four years he trained more than a thousand young dancers. Moving to California, Iliev continued working in the American educational system teaching dance to hundreds of children in a performing arts magnet school. A year later he was appointed the Artistic Director of Westwind International Dance Company — one of the first companies in the US whose mission is to present to the American audience the richness and diversity of ethnic dance. All along Iliev has been teaching master classes in Character dance and Bulgarian folk dances at many colleges and universities in different parts of the US, and has been creating new choreographies for professional and non-professional dance companies in the US and Canada. In 2003 he joined the faculty of the renowned school of Pacific Northwest Ballet and two years later he was attracted to the school of Ballet Chicago. Along with that, for several years Iliev shared his expertise with numerous students in the public school system in Chicago through a 21st Century grant. With this invaluable experience in hand he resumed his activity in Bulgaria in 2008 through the various programs of his foundation established in the same year. The Iliev Dance Art Foundation has since been running several highly successful educational programs: the Spring and Summer Intensives Dance It, as well as children’s dance programs targeting youth from public schools. Most recently Iliev appeared as a judge on the national reality dance show Magadans – The Challenge, as well as created and staged a full-length children’s show Click, performed in October 2013 as part of Sofia Dance Week. In 2014 he choreographed and staged “5×5+1” – a conceptual, interdisciplinary project, and “A Swallow’s Flight” – a children’s dance show. In addition, he has also actively been teaching and choreographing at The Anglo-American School of Sofia, both instructing children from various classes, as well as choreographing for the final musicals performed by the graduating classes. In Bulgaria Petur Iliev’s artistic creativity has been gradually coming to its full potential in the creation of several highly innovative choreographies that reach to the core of the Bulgarian ethnic dance and release its structure – unleashing its potential as a means of expression by enriching it with the vocabulary of ballet and modern technique.
Iliev staged the show as a seamless, kaleidoscopic, joyful swirl.
Philippa Kiraly, Seattle Post
Petur Iliev has an important impact on the dancing of the United States by bringing the rhythm and passion of Bulgarian dancing to his ballet and modern choreography.
Tim Hurst, Movin’ Easy
Iliev is multi-talented in ballet and tap, but he has never forgotten or been limited by his folk training.
Donald LaCourse, Ethnic Dance Theatre
Iliev’s choreography, Gypsy Fire, broke new ground.
Westwind International Folk Ensemble
“Rock&Roll Dance”, CLICK – children for children dance performance, Choreography Petur Iliev
“Lost in 13”, Sneak Peek Show, “Dance It! 2013 Spring Edition”
“Bogoridi”, Sneak Peek Show, “Dance It! 2013 Summer Program”
“Bach Andante”, 2008, The School of Ballet Chicago, Summer Workshop Concert, Choreography Petur Iliev
European Folk to Modern “Long Living Line”, Dance This 2008, Choreography Petur Iliev
Documentary “Dance This” 2008
Dance This 2005, Rehearsal Process